Canton Public Library

A timely account of how modern Americans cope with decline and mortality. He points out that dying in America is a lonely, complex business. Before 1945, people could count on spending their last days at home. Now, most die in institutional settings, usually after trying every medical procedure possible to head off the inevitable. Quality of life is often sacrificed, in part because doctors lack the ability to help patients negotiate a bewildering array of medical and nonmedical options. Many, like Gawande's mother-in-law, Alice, find that they must take residence in senior housing or assisted care facilities due to the fact that no other reasonable options exist. But even the most well-run of these "homes" are problematic because they can only offer sterile institutional settings that restrict independence and can cause psychological distress. Moving in with adult children is also difficult due to the tensions and conflicts that inevitably arise. Yet the current system shows signs of reform. Rather than simply inform patients about their options or tell them what to do, some doctors, including the author, are choosing to offer the guidance that helps patients make their own decisions regarding treatment options and outcomes.

On a September day in Manhattan in 1939, twenty-something Caroline Ferriday is consumed by her efforts to secure the perfect boutonniere for an important French diplomat and resisting the romantic advances of a married actor. Meanwhile across the Atlantic, Kasia Kuzmerick, a Polish Catholic teenager, is nervously anticipating the changes that are sure to come since Germany has declared war on Poland. As tensions rise abroad - and in her personal life - Caroline's interest in aiding the war effort in France grows and she eventually comes to hear about the dire situation at the Ravensbruck all-female concentration camp. At the same time, Kasia's carefree youth is quickly slipping away, only to be replaced by a fervor for the Polish resistance movement. Through Ravensbruck - and the horrific atrocities taking place there told in part by an infamous German surgeon, Herta Oberheuser - the two women's lives will converge in unprecedented ways and a novel of redemption and hope emerges that is breathtaking in scope and depth.

Passion, redemption, and a battered old suitcase full of secrets: the New York Times-bestselling author of A Hundred Summers returns with another engrossing tale of lost love and female ambition that crosses generations. Manhattan, 1964. Vivian Schuyler, newly graduated from Bryn Mawr College, has recently defied the privilege of her storied old Fifth Avenue family to do the unthinkable for a budding Kennedy-era socialite: break into the Mad Men world of razor-stylish Metropolitan magazine. But when she receives a bulky overseas parcel in the mail, the unexpected contents draw her inexorably back into her family's past, and the hushed-over crime passionnel of an aunt she never knew, whose existence has been wiped from the record of history. Berlin, 1914. Violet Schuyler Grant endures her marriage to the philandering and decades-older scientist Dr. Walter Grant for one reason: for all his faults, he provides the necessary support to her liminal position as a young American female physicist in prewar Germany. The arrival of Dr. Grant's magnetic former student at the beginning of Europe's fateful summer interrupts this delicate detente. Lionel Richardson, a captain in the British Army, challenges Violet to escape her husband's perverse hold, and as the world edges into war and Lionel's shocking true motives become evident, Violet is tempted to take the ultimate step to set herself free and seek a life of her own conviction with a man whose cause is as audacious as her own. As the iridescent and fractured Vivian digs deeper into her aunt's past and the mystery of her ultimate fate, Violet's story of determination and desire unfolds, shedding light on the darkness of her years abroad and teaching Vivian to reach forward with grace for the ambitious future--and the love--she wants most.

Two disparate women are thrown together by destiny, each hiding a secret from the Nazi regime. Noa's Dutch family kicks her out of the house after an affair with a Nazi soldier leaves her pregnant. She gives up the child, but in her new life as a train-station washerwoman, she finds a boxcar full of Jewish infants. She rescues one and flees, nearly freezing to death in a distant forest where she is rescued by a member of the famous German Circus Neuhoff; Noa claims the baby is her brother. Astrid Sorrell (born Ingrid Klemt) is forced to separate from her German officer husband when the Reich forces all Jewish intermarriages to be dissolved. A former star in her now-depleted Jewish family's circus, she, too, finds refuge with the rival Circus Neuhoff, where her Jewish identity will be hidden, and now her boss forces her to teach the pretty Noa the art of the trapeze.