Canton Public Library

In the year since the Women's March on Washington (and simultaneous marches around the globe), the organizers of the historic event have come together to share their experiences and the lessons they've learned in the time since Donald Trump's inauguration. This book is a collection of photos and oral histories that expertly blends the larger-than-life power of the movement and small-scale moments shared among the women in charge. The contributors reveal what it was like to be parents, lovers, and daughters during this charged time and graciously admit to the fear and skepticism many felt before the march. The book gives readers a picture of the diverse organizers behind the movement, reminding all that this event would not have been so successful without extreme intersectionality. Interspersed between the organizers' narratives are accounts of the day from women all over the world, explaining how that show of dissent impacted their lives, and notes from celebrities like America Ferrera, Roxane Gay, and Jill Solloway detailing their own views of the march. Large and plentiful photos show many shades of hope and inclusion in this energizing and emotional trip through the movement.

A firsthand account and incisive analysis of modern protest, revealing internet-fueled social movements' greatest strengths and frequent challenges To understand a thwarted Turkish coup, an anti-Wall Street encampment, and a packed Tahrir Square, we must first comprehend the power and the weaknesses of using new technologies to mobilize large numbers of people. Tufekci explains the nuanced trajectories of modern protests-how they form, how they operate differently from past protests, and why they have difficulty persisting in their long-term quests for change. Tufekci speaks from direct experience, combining on-the-ground interviews with insightful analysis. She describes how the internet helped the Zapatista uprisings in Mexico, the necessity of remote Twitter users to organize medical supplies during Arab Spring, the refusal to use bullhorns in the Occupy Movement that started in New York, and the empowering effect of tear gas in Istanbul's Gezi Park. These details from life inside social movements complete a moving investigation of authority, technology, and culture-and offer essential insights into the future of governance.

Philanthropist and therapist Hunt (Faith and Feminism) addresses elements of early feminism, primarily its interracial and religious aspects, which she asserts were "lost in the [20th] century." "The origin of modern feminism is its Christian bedrock" is a central theme in the book, as Hunt revisits all-women antislavery conventions held in America in the late 1830s. Notable-but not necessarily forgotten-figures appear (generally referred to by their first names), among them Lydia Maria Child, Sarah and Angelina Grimke, and Lucretia Mott, and the lesser-known Mary Grew and Abby Kelly. Hunt is attentive to the involvement of black women, particularly Grace and Sarah Douglass and Sarah Forten. The book is framed by accounts of Hunt's personal history and involvement with women's organizations. Unfortunately, factual inaccuracies (e.g., she names Frederick Douglass as one of the founders of the American Anti-Slavery Society in 1833) and unsubstantiated claims (she writes that a group of organizers "took to heart the words written decades earlier by Phillis Wheatley" but does not provide evidence of them having ever read Wheatley's work) plague this lighthearted treatment of a well-known segment in the history of the women's movement.

Novelist Pierpont (Among Ten Thousand Things) and illustrator Thapp collaborate to create a patchwork of biographical sketches on groundbreaking women, from well-known figures such as former first lady Michelle Obama and the Brontë sisters to lesser-known women such as WWII lieutenant Grace Hopper. The format plays off the Catholic saint-of-the-day book, meant to be read in intervals as a source of daily inspiration. Each entry aims to delineate one of the fascinating experiences and contributions of a women Pierpont and Thapp deem worthy of secular feminist sainthood. Pierpont plays around with style of the entries with varying degrees of success. The entry on Barbara Jordan, for example, is written entirely in the second-person, which is distracting and provides no real grounding of Jordan's accomplishments; the same is true for the entry on Ann and Cecile Richards, which is composed of quotes from the women themselves. There are moments when Pierpont strikes the perfect balance between style and content; the profiles of Helen Keller and Bea Arthur, for example, combine the right amount of introductory information with a written flair that renders these women as worthy idols. Thapp's colorful painted portraits of each subject enhance the book's appeal.

There's no mistaking a happy dog. The wagging tail, the eager eyes, the smile that's impossible to fake. A happy dog radiates pure joy. Yet the mystery remains: What's really going on behind those waggish grins? Are our dogs laughing with us? At us? Are they operating at a higher stage of enlightenment . . . or just buttering us up before we discover the tiny, torn remnants of burrito wrapper suspiciously dotting the hallway?In Waggish, the infinite expressions of happy dogs are captured in an amazing series of photographs by renowned animal photographer Grace Chon, whose images have made her the go-to pet photographer of Hollywood's top celebrities. As for what these dogs are really thinking, writer Melanie Monteiro expertly channels their innermost thoughts, pairing each photo with a clever caption.