The Poet X Antonia Vega, the immigrant writer at the center of Afterlife, has had the rug pulled out from under her. She has just retired from the college where she taught English when her beloved husband, Sam, suddenly dies. And then more jolts: her bighearted but unstable sister disappears, and Antonia returns home one evening to find a pregnant, undocumented teenager on her doorstep. Antonia has always sought direction in the literature she loves--lines from her favorite authors play in her head like a soundtrack--but now she finds that the world demands more of her than words. Afterlife is a compact, nimble, and sharply droll novel. Set in this political moment of tribalism and distrust, it asks: What do we owe those in crisis in our families, including--maybe especially--members of our human family? How do we live in a broken world without losing faith in one another or ourselves? And how do we stay true to those glorious souls we have lost?

In a small village in France, a young woman named Adeline prays to any god who will answer for salvation from a stifling life. But the one who arrives grants Addie a gift, in exchange for her soul, that comes with a curse: though she will not age or die, everyone she meets will forget her as soon as she leaves their sight. For 300 years, Addie moves through the world without touching it, balancing ephemeral but immense suffering against the joy of witnessing, and often underhandedly influencing, art and artists. As the devil she bargained with lingers in the shadows, Addie makes herself his equal, laying claim to her strange life. And then, one day in 2014 Manhattan, she finds a boy who, impossibly, remembers her. Schwab deftly weaves time and place, flitting between Addie's frantic past and her grounded present while visiting intermittent July 29ths in between. Narratively, this is a whirlwind--deeply romantic, impossibly detailed, filled with lush language, wry humor, and bitter memories. This often startlingly raw story begs the questions: what is a soul? What does it mean to be remembered? And what prize is worth giving those things up?

If you could go back, who would you want to meet? In a small back alley of Tokyo, there is a café that has been serving carefully brewed coffee for more than one hundred years. Local legend says that this shop offers something else besides coffee -- the chance to travel back in time. Over the course of one summer, four customers visit the café in the hopes of making that journey. But time travel isn't so simple, and there are rules that must be followed. Most important, the trip can last only as long as it takes for the coffee to get cold. Heartwarming, wistful, mysterious and delightfully quirky, Toshikazu Kawaguchi's internationally bestselling novel explores the age-old question: What would you change if you could travel back in time?

A single comment can change a life, or for Giovanna, the adolescent only child of a middle-class Neapolitan couple in the early 1990s and narrator of Ferrante's sumptuous latest, it can set it in motion. "She's getting the face of Vittoria," Giovanna's father, Andrea, says about her, referring to Giovanna's estranged aunt Vittoria, whom Andrea disdains and calls ugly. The comment provokes Giovanna into seeking out Vittoria on the other side of Naples, where she finds a beautiful, fiery woman, consumed by bitterness over a lover's death and resentful of Andrea's arrogance at having climbed the social ladder. Andrea can't save Giovanna from Vittoria's influence, and their relationship will affect those closest to Giovanna as family secrets unravel and disrupt the harmony of her quiet life. Giovanna's parents' devastating marital collapse, meanwhile, causes her to be distracted at school and held back a year, and prompts Giovanna into a steely self-awareness as she has her first sexual experiences along a bumpy ride toward adulthood. Themes of class disparity and women's coming-of-age are at play much as they were in Ferrante's Neapolitan quartet, but the depictions of inequality serve primarily as a backdrop to Giovanna's coming-of-age trials that buttress the gripping, plot-heavy tale. 

In the tradition of Mary Karr's The Liars' Club and Rick Bragg's All Over But the Shouting, Walls has written a stunning and life-affirming memoir about surviving a willfully impoverished, eccentric, and severely misguided family.