"From the New York Times bestselling author of The Secret Rooms, the extraordinary true story of the downfall of one of England's wealthiest families. Fans of Downton Abbey now have a go-to resource for fascinating, real-life stories of the spectacular lives led by England's aristocrats. With the novelistic flair and knack for historical detail Catherine Bailey displayed in her New York Times bestseller The Secret Rooms, Black Diamonds provides a page-turning chronicle of the Fitzwilliam coal-mining dynasty and their breathtaking Wentworth estate, the largest private home in England. When the sixth Earl Fitzwilliam died in 1902, he left behind the second largest estate in twentieth-century England, valued at more than [ ] billion of today's money--a lifeline to the tens of thousands of people who worked either in the family's coal mines or on their expansive estate. The earl also left behind four sons, and the family line seemed assured. But was it? As Bailey retraces the Fitzwilliam family history, she uncovers a legacy riddled with bitter feuds, scandals (including Peter Fitzwilliam's ill-fated affair with American heiress Kick Kennedy), and civil unrest as the conflict between the coal industry and its miners came to a head. Once again, Bailey has written an irresistible and brilliant narrative history"--.

A group of nostalgic World War II veterans revisit the shores of Normandy, recounting the events that impacted their lives.

"This is what we long for: the profound pleasure of being swept into vivid new worlds, worlds peopled by characters so intriguing and real that we can't shake them, even long after the reading's done. In his earlier, award-winning novels, Dominic Smith demonstrated a gift for coaxing the past to life. Now, in The Last Painting of Sara de Vos, he deftly bridges the historical and the contemporary, tracking a collision course between a rare landscape by a female Dutch painter of the golden age, an inheritor of the work in 1950s Manhattan, and a celebrated art historian who painted a forgery of it in her youth. In 1631, Sara de Vos is admitted as a master painter to the Guild of St. Luke's in Holland, the first woman to be so recognized. Three hundred years later, only one work attributed to de Vos is known to remain--a haunting winter scene, At the Edge of a Wood, which hangs over the bed of a wealthy descendant of the original owner. An Australian grad student, Ellie Shipley, struggling to stay afloat in New York, agrees to paint a forgery of the landscape, a decision that will haunt her. Because now, half a century later, she's curating an exhibit of female Dutch painters, and both versions threaten to arrive. As the three threads intersect, The Last Painting of Sara de Vos mesmerizes while it grapples with the demands of the artistic life, showing how the deceits of the past can forge the present"--.

James Goodenough, whose family had originally settled in Connecticut from England brings his family to Ohio to carve out a new life for them in the Black Swamp in 1838. As swamp fever gradually picks off their children and they wrestle daily with survival. This course will see their family engulfed in tragedy and fifteen years later we pick up with their youngest son, Robert who has been running west since the trying to escape his memories of what happened, taking solace in a very different kind of tree--the redwoods and sequoias of California. But Robert's past catches up with him and he's forced to confront what he's running from and work out for himself that you can't run for ever. .